Is it magic or is it science? Have great fun exploring the surprising tricks mirrors can play on your brain! This special hands-on exhibition for people of all ages is on display at WonderLab (Tuesday – Sunday) through April 13.

Martin Beach, granite sculpture; James Hubbard, etchings; Leah Miller-Freeman, painting; Anthony Meyer, watercolor. Open M-F 9-7. Sat 9-5. Closed Sun. Free.

Hours: Tuesday – Saturday: 10:00 – 5:00 p.m. Sunday: Noon – 5:00 p.m.

Special Exhibition: ‘Faculty Artists from IU’s Hope School of Fine Arts’
January 25–March 9, 2014 Special Exhibitions Gallery and Judi and Milt Stewart Hexagon Gallery, first floor Featuring ca. forty artists (both current and emeriti faculty) from IU’s renowned Hope School of Fine Art, this exhibition offers a survey of recent works in a wide range of media, including ceramics, digital art, graphic design, painting, sculpture, metals, photography, printmaking, and textiles.

Focalpoint: Personal Objects: Art from Eastern and Southern Africa
January 14–May 11, 2014 Raymond and Laura Wielgus Gallery of the Arts of Africa, the South Pacific, and the Americas, Focalpoint, third floor From jewelry and headdresses to household objects such as containers, headrests, and spoons, the art of eastern and southern Africa for the most part is intimately connected with the individual. Though these regions of Africa do not have the large numbers of masks and figural sculpture for which western and central Africa are known, the personal objects found there frequently reflect the deep cultural significances and attention to form and detail seen elsewhere on the continent. This installation has been organized to coincide with the A352/A552, Art of Eastern and Southern Africa, a course being taught during the spring 2014 semester in the Department of the History of Art.

New in the Galleries: ‘Max Beckmann’s Woodcuts’
Gallery of the Art of the Western World, Doris Steinmetz Kellett Endowed Gallery of Twentieth-Century Art, first floor
February 4–June 22, 2014
Although the German Expressionist artist Max Beckmann was a prolific graphic artist (producing 374 prints during his lifetime), he created fewer than 20 woodcuts. Most were produced during the 1920s, when Germany was experiencing a revival of interest in the medium. Seven prints from this period will be featured in this installation.

“Community Voices Gallery: League of Women Voters”
League of Women Voters exhibit, open now through March 29, 2014, through photos, documents, written history and objects you will be able to see the involvement of the Bloomington Chapter of this nationwide organization. Please note, museum hours are Tues-Sat, 10am-4pm.

“Giants in Cornfield, Civil War Sesquicentennial”
“Giants in Cornfield, Civil War Sesquicentennial” exhibit open now through April 12, 2014, gives an incredible look at the soldiers from Monroe County and their role in the battles of the Civil War. Please note, museum hours are Tues-Sat, 10am-4pm.

“Old Fashioned Christmas”
Come view Christmases from the past in the History Center’s “Old Fashioned Christmas” exhibit. November 29 – February 15, 2014 Please note, museum hours are Tues-Sat, 10am-4pm.

Traveling Exhibit- “Hoosiers and Their Hooch: Perspectives on Prohibition”
Visitors will be taken through the rise and fall of prohibition in Indiana and throughout the country. This exhibit spans the dawn of the temperance movement of the 1900’s, the roaring 1920’s and the unprecedented repeal of a constitutional amendment during the great depression.

Jim Kemp was a professional studio potter for more than 32 years. Over the span of his career, he created ceramic art within a variety of clay media. Recent works have centered on colorful wall platters, decorative lidded boxes and teapots. He has been the recipient of numerous awards and his work can be found in many public and private collections.

The Grunwald Gallery of Art is pleased to announce Ed Bernstein: Almost Illuminated, an exhibition of works by Ed Bernstein, Professor Emeritus at Indiana University. Ed Bernstein: Almost Illuminated Is an exhibition that features work from Bernstein’s long career as an artist and educator. His artistic style displays a spectrum of qualities that engage and challenge the viewer. Bernstein writes, “My work is prefaced on ideas using object, history and memory. Though centered in printmedia, this retrospective includes sculpture and mixed media drawing. Common threads include dramatic play of light and dark; references to and reverence for historical Western art, particularly Italian, within a contemporary post-modern context, which hopefully adds timelessness, irony, and on occasion, humor. I am interested in the interface between technology and tradition both aesthetical and technical so I am continually pushing the boundaries of printmaking. “ A catalogue of the exhibition will be made available.

Gallery is open Tuesday – Saturday, 12 to 4 pm.

Dorothy Berry, Sara Clark, and Brian Forist, graduate student curators of the “Ojibwe Public Art, Ostrom Private Lives” exhibition, will share their thoughts on their research into the Ojibwe artifacts that are part of the Elinor and Vincent Ostrom collection of native North American art, and their reflections on development of the exhibition. The presentation will be free and open to the public.

Free visitor parking is available by the Indiana Avenue lobby entrance. Metered parking is available at the McCalla School parking lot on the corner of Ninth Street and Indiana Avenue. The parking lot also has spaces designated for Indiana University C and E permits. During the weekends free parking is available on the surrounding streets.

Four Fridays: January, 24 & 31, February 7 & 14 – 1:00 – 3:00 pm

Participants will explore their individual life experience and creatively express events & memories in collage format. The journey will begin by time-lining the most memorable life events then collecting imagery to compose into a design. The process & construction of this collage project gives one an opportunity to reflect & depict visually their unique “Life Design” & journey. Participants are encouraged to bring magazines, photos and other visual materials to incorporate into their collages. Magazines and class supplies will be on-hand at the center as well.

About the Instructor: Jenny Stankiewicz is a multi-media artist and an archival framer based out of Bloomington, IN with 30 years of archival picture framing experience. She was an art instructor at the Indianapolis Art Center before relocating to Bloomington. She has taught a variety of media, and has an extensive portfolio including pastels, acrylics, mixed-media, collage, and more. actsofexpression.com

For Additional Information:
812-876-3383 ex. 515

The Kinsey Institute is pleased to be included in “The Burroughs Century,” a 5-day festival in Bloomington from February 5 through 9, which will examine and celebrate the legacy of William S. Burroughs, one of the principal figures of the Beat Generation and a ground-breaking American writer and artist. “The Right to Read” examines the pivotal role that Grove Press, which published Burroughs’ Naked Lunch and many other controversial books, played in the censorship battles of the late 1950s and early 1960s. The Kinsey Institute Library houses hundreds of books and serials issued by Grove Press, an independent publishing house in New York. Publisher Barney Rosset did not hesitate to challenge long-standing obscenity laws in his quest to bring some of the 19th and 20th century’s most intriguing literature to American readers. In addition to the work of Burroughs, Grove Press was the first to legally publish Lady Chatterley’s Lover by D.H. Lawrence, as well as the works of Henry Miller, Jean Genet, and anonymous Victorian authors of erotic literature. The Kinsey Institute is open to visitors from 1:30 to 5:00 pm Monday thru Friday or in the morning by appointment. Admission is free. Due to adult content, visitors should be 18 years of age or older, unless accompanied by a parent or guardian.

Exhibit runs until Feb. 28.

Hoosier guitarist and songwriter Kade Puckett has 28 years of experience playing music and specializes in fingerstyle. He’s a third generation guitar player with a fond love for all genres of music. As a guitarist his musical mastery and innovation communicate emotion through sound. Kade’s live performances literally sway the crowd with hypnotizing harmonics and breathtaking melodies. Music is the language he knows best, and few can express such heartfelt emotion through sound.