From the builders of some of America’s earliest railroads and farms to Civil Rights pioneers to digital technology entrepreneurs, Indian Americans have long been an inextricable part of American life. “Beyond Bollywood: Indian Americans Shape the Nation” explores the Indian American experience and the community’s vital political, professional, and cultural contributions to American life and history. The exhibition moves past pop-culture stereotypes of Indian Americans to explore the heritage, daily experience, and diverse contributions of Indian immigrants and their descendants in the United States. Weaving together stories of individual achievement and collective struggle, “Beyond Bollywood” uses photography, narrative, multimedia, and interactive stations to tell a uniquely American story, while conveying the texture, vibrancy, and vitality of Indian American communities.

“Beyond Bollywood: Indian Americans Shape the Nation” was created by the Smithsonian Asian Pacific American Center and the Smithsonian Institution Traveling Exhibition Service. The Mathers Museum’s presentation of the exhibit has been generously funded by Indiana University alumnus Robert N. Johnson, the Madhusudan and Kiran C. Dhar India Studies Program, the Asian American Studies Program, and the Department of American Studies. Gallery is open 9am-4:30 pm Tues-Fri and 1pm-4:30pm Sat/Sun.

Free visitor parking is available by the Indiana Avenue lobby entrance. Metered parking is available at the McCalla School parking lot on the corner of Ninth Street and Indiana Avenue. The parking lot also has spaces designated for Indiana University C and ST permits. During the weekends free parking is available on the surrounding streets.An access ramp is located at the Fess Avenue entrance, on the corner of Ninth Street and Fess Avenue. Reserved parking spaces are available on Ninth Street, between Fess Avenue and Indiana Avenue. If you have a disability and need assistance, special arrangements can be made to accommodate most needs. Please call 812-855-6873.

For 12 days, you can enjoy three-course meals at local Bloomington restaurants for discounted prices. No tickets required; simply decide where you want to eat (devourbtown.org), make a reservation if desired, and devour!

The class is taught by Carli Astell who has been teaching yoga since 2002. Her classes consist of ashtanga inspired hatha yoga, and vinyasa yoga I and II. In her class the goal is to have fun, be free, and spread love. The class is great for beginners and practiced yogis alike. All levels are welcome and encouraged.

Stardusters Music is dedicated to keeping the Big Band sound alive and well. We believe that jazz is America’s music and that the Big Band is its voice.

John Muellerleile (thinkdifferent.ly/gthang.gif), video hacker @ VEVO, photographer, and machine learner will speak to @BloomingtonData at 7 p.m. about scraping the real world—publicly available traffic cameras, logos in YouTube videos, and more.

Latin Jazz Ensemble and Jazz Combo

Michael Spiro and Wayne Wallace, directors

About the Directors

Michael Spiro is a world-renowned percussionist, recording artist, and educator, known specifically for his work in the Latin music field.

Spiro’s formal education includes a bachelor’s degree with honors in Latin American Studies from the University of California, and three and a half years of graduate work in ethnomusicology at the University of Washington. His practical education consists of a seven- year apprenticeship with Francisco Aguabella (a relationship which continues today) and extensive study throughout Latin America. He has studied annually in Cuba since 1984 with musicians such as Jose Luis Quintana (“Changuito”), Esteban Vega Bacallao (“Cha-Cha”), Daniel Diaz and Juan “Claro” Blanco of Orquesta Ritmo Oriental, Regino Jimenez, Los Muñequitos de Matanzas and Grupo Afro-Cuba de Matanzas. In addition, in 1986, he spent two months training at G.R.E.S. Portela, the famous Escola de Samba in Rio de Janeiro.

Spiro currently resides in San Francisco, Calif., where he is an integral part of the Bay Area music scene. He records and produces with groups throughout the West Coast and still tours world-wide with the percussion trio Talking Drums, which he co-leads with David Garibaldi and Jesus Diaz. In June 1996, his recording Bata-Ketu was released on Bembe Records to international critical acclaim, including being voted one of the top 50 drum records of all time by Drum Magazine.

In 2004, Spiro received a Grammy nomination for his work as both producer and artist on Mark Levine’s Latin/jazz release Isla, and, in 2005, he released BataMbira, which he wrote and produced with Professor B. Michael Williams. The CD received rave reviews around the world for its fusion of Afro-Cuban folkloric music with the mbira music of Zimbabwe, and that same year, he was voted runner-up in the jazz/fusion category in Drum Magazine’s Reader’s Poll Awards. In 2006, Chuck Sher Publications released his book, The Conga Drummer’s Guidebook, and it has already become the standard in the field for intermediate/advanced instruction.

He is a frequent visiting artist at universities worldwide. In addition to the position he held in the Jazz Department at the University of California, Berkeley, Spiro has taught at numerous colleges throughout North America and Europe, and continues to be a presenter at national and statewide conventions of the Percussive Arts Society and the International Association of Jazz Educators.

Spiro’s recording and performing credits include such diverse artists as David Byrne, Cachao, The Caribbean Jazz Project, Dori Caymmi, Changuito, Richard Egues, Frank Emilio Flynn, Ella Fitzgerald, David Garibaldi, Gilberto Gil, Giovanni Hidalgo, Ray Holman, Toninho Horta, Bobby Hutcherson, Dr. John, Mark Levine and the Latin Tinge, Machete Ensemble, Bobby McFerrin, Andy Narell, Ray Obiedo, Chico O’Farrill, Eddie Palmieri, Lazaro Ros, David Rudder, Carlos Santana, Grace Slick, Omar Sosa, Talking Drums, Clark Terry, McCoy Tyner and Charlie Watts. In addition, he has recorded on soundtracks to such major motion pictures as Soapdish, Henry and June, True Stories, Sworn To The Drum, Walker, Eddie Macon’s Run and Dragon-The Life of Bruce Lee. He also wrote several arrangements for the Tony Award-winning Broadway show BLAST!, which was released on video by PBS in 2002.

Wayne Wallace is professor of practice in jazz at the Indiana University Jacobs School of Music.

A five-time Grammy nominee, he is one of the most respected exponents of African American-Latin music in the world today.

Wallace is known for the use of traditional forms and styles in combination with contemporary music and has earned wide critical acclaim, including placement in both the trombone and producer categories of the DownBeat Critics Poll.

He is an accomplished arranger, educator, and composer with compositions for film and television. He has received grants from the Creative Work Fund, the National Endowment for the Arts, the Lila Wallace Foundation, and the San Francisco Arts Commission.

Wallace has performed, recorded, and studied with many acknowledged masters of the Afro-Latin and jazz idioms, such as Aretha Franklin, Bobby Hutcherson, Earth Wind and Fire, Pete Escovedo, Santana, Julian Priester, Conjunto Libre, Whitney Houston, Tito Puente, Steve Turre, John Lee Hooker, Con Funk Shun, Francisco Aguabella, Manny Oquendo and Libre, Max Roach, the Count Basie Orchestra, and Orestes Vilató. This experience has provided a solid foundation for Wallace’s current explorations of the intersections of a wealth of cultural styles and rhythmic concepts.

Born and raised in San Francisco, Calif., Wallace was exposed to blues, country and western, R&B, jazz, and Afro-Caribbean music at an early age. The fertile musical environment of the San Francisco Bay Area shaped his career in a unique way. His studies of Afro-Latin music and jazz have included several trips to Cuba, New York City, and Puerto Rico.

Widely respected as a teacher and historian, Wallace has taught at San Jose State University, Stanford University, and the Jazzschool in Berkeley. He has conducted lectures, workshops and clinics in the Americas and Europe since 1983.

In addition, he is a member of the advisory committees of the San Jose Jazz Society and the Stanford Jazz Workshop.

As the head of the critically acclaimed Patois Records, Wallace has created a unique record label with a passionate mission of developing and chronicling the multi-lingual styles of the San Francisco Bay Area music scene.

Under his direction the label has released 13 recordings to critical acclaim, including recordings by Wallace, Marc and Paul van Wageningen, and vocalists Kat Parra, Alexa Weber-Morales, and Kristina.

Recently, the label released Wallace’s Latin Jazz-Jazz Latin, an album that displays all of the thrilling interplay, melodic invention, and blazing improvisational flights that distinguish his music.

Salsa De La Bahía, a compilation showcasing Bay Area salsa and Latin jazz, produced by Wallace and Rita Hargrave, was released in 2014.

He is an endorser of Conn-Selmer trombones.

Late Night Open Mic. Sign-up starts at 9 p.m. Come claim your stage time.