Visit a dozen studios, featuring the work of more than 20 artists. Meet artists, watch them work, explore the spaces that inspire them. Get a glimpse into the working lives of artists. Pottery to painting, woodworking to weaving, metal, jewelry, fiber arts, broom making, bookbinding and more.

FREE. All you need is a brochure and map, available at the Nashville Visitor Center, local businesses, or at www.BrownCountyStudioTour.com. Studios open every day in October.

The Grunwald Gallery at Indiana University is pleased to announce an exhibition of projected images by award-winning photographer Edward Burtynsky. This exhibition will open Tuesday, October 6 and continue through Saturday, October 17. Edward Burtynsky will present a public lecture on Wednesday, October 14 at 7pm in Fine Arts 015. In addition, the IU Cinema will screen Burtynsky’s film, Manufactured Landscape, on October 10 at 7pm. Burtynsky will also meet with students and faculty for a conversation about his work on October 14 (the day of his public lecture) at 4pm (location to be announced).

Edward Burtynsky’s work is an extended meditation on labor, land, beauty, and violence. The extraction of natural resources and the exploitation of human labor have transformed (and often enough, insulted) our shared planetary home. Burtynsky travels the globe photographing such sites of intensive industry—from quarries and nickel tailings in North America, to scenes shipbreaking off the coast of Bangladesh, to his more recent work in China, the epicenter of global industrial expansion. Burtynsky is a master photo-colorist, and his large-format images mix beauty and terror in a unique and powerful way. Art is testimony, and Burtynsky is testifying, eloquently, to the world we live in. He makes us see.

These events are sponsored in part by Themester 2015: “@Work: The Nature of Labor on a Changing Planet,” an initiative of the College of Arts & Sciences. Further assistance comes from the Center for Integrative Photographic Studies, with additional support from the Integrated Program in the Environment, the Grunwald Gallery and the IU Cinema. The lecture by Edward Burtynsky is a Ruth N. Halls Distinguished Speaker Event.

For further information, please contact the Grunwald Gallery at (812) 855-8490 or [email protected]. We invite you to visit our website at http://www.indiana.edu/~grunwald/. The Grunwald Gallery is accessible to people with disabilities. Gallery hours are Tuesday – Saturday, noon – 4:00 pm, closed Sunday and Monday. All events are free and open to the public. For more information on the Henry Radford Hope School of Fine Arts at Indiana University, please visit www.fa.indiana.edu.

Michael Grossberg, Sally M. Reahard Professor of History and Professor of Law, will discuss how the history of childhood and child protection in the U.S. fueled Hine’s determination to use pictures as tools of reform agitation and helped make photography a new medium for social propaganda.

Sponsored by Themester 2015, “@Work: The Nature of Labor on a Changing Planet,” an initiative of the IU College of Arts and Sciences.

The Grunwald Gallery of Art at Indiana University is pleased to announce an exhibition of projected images by award-winning photographer Edward Burtynsky. This exhibition will open Tuesday, October 6, and continue through Saturday, October 17. Edward Burtynsky will present a public lecture at 7 p.m. on Wednesday, October 14, in Fine Arts 015. In addition, the IU Cinema will screen Burtynsky’s film, “Manufactured Landscape,” at 7 p.m. on October 10. Burtynsky will also meet with students and faculty for a conversation about his work at 4 p.m. on October 14 (the day of his public lecture – location to be announced).

Edward Burtynsky’s work is an extended meditation on labor, land, beauty, and violence. The extraction of natural resources and the exploitation of human labor have transformed (and, often enough, insulted) our shared planetary home. Burtynsky travels the globe photographing such sites of intensive industry—from quarries and nickel tailings in North America, to scenes of shipbreaking off the coast of Bangladesh, to his more recent work in China, the epicenter of global industrial expansion. Burtynsky is a master photo-colorist, and his large-format images mix beauty and terror in a unique and powerful way. Art is testimony, and Burtynsky is testifying, eloquently, to the world we live in. He makes us see.

These events are sponsored in part by Themester 2015, “@Work: The Nature of Labor on a Changing Planet,” an initiative of the College of Arts & Sciences. Further assistance comes from the Center for Integrative Photographic Studies, with additional support from the Integrated Program in the Environment, the Grunwald Gallery and the IU Cinema. The lecture by Edward Burtynsky is a Ruth N. Halls Distinguished Speaker event.

For further information, please contact the Grunwald Gallery at 812-855-8490 or [email protected]. We invite you to visit our website at indiana.edu/~grunwald/. The Grunwald Gallery is accessible to people with disabilities. Gallery hours are Tuesday – Saturday, noon to 4 p.m.; closed Sunday and Monday. All events are free and open to the public. For more information on the Henry Radford Hope School of Fine Arts at Indiana University, please visit indiana.edu/~finaweb/test/cms/fina.

Retelling the Biblical story of Joseph and the coat of many colors, this whimsical show is Andrew Lloyd Webber’s irresistible family musical about the trials and triumphs of Israel’s favorite son.

Christof Perick, guest conductor

Repertoire
Stravinsky: Pulcinella Suite (1920/22; rev. 1949)
Haydn: Symphony No. 101 in D Major, Hob.I:101 (“The Clock”)

About the Conductor

Christof Perick is the recently appointed Chief Conductor of the Beethoven Orchester Bonn. He was Music Director of Germany’s Nuremberg Philharmonic and Opera from 2006 through 2011 and Music Director of the Charlotte Symphony from 2001 through 2010. He completed his post as Principal Guest Conductor of the Dresden Semper Opera at the close of the 2007/2008 season. Other former positions include Music Director posts with the Niedersaechsisches Staatsorchester and Staatsoper in Hannover, Germany from 1993-96; the Los Angeles Chamber Orchestra from 1992-95; the Badische Staatskapelle Karlsruhe, Germany from 1977-1986; and the State Orchestra and Opera Saarbrucken, Germany from 1974-77.

In recent seasons, Mr. Perick’s engagements have included productions with the Dresden Semper Oper and the Hamburg Staatsoper, and engagements in North America with the New York Philharmonic, the Los Angeles Philharmonic, Washington’s National Symphony and the Symphonies of Boston, St. Louis, Cincinnati, Houston, Dallas, Indianapolis, Atlanta, Detroit, Seattle, Milwaukee, Phoenix, San Antonio, San Diego, Montreal and Toronto; summer Festivals that include the Mostly Mozart Festival at New York’s Lincoln Center and the Grant Park Music Festival of Chicago. He conducted the first ever US tour of the Junge Deutsche Philharmonie, Germany’s leading national Youth Orchestra.

At New York’s Metropolitan Opera, Christof Perick has conducted productions that include Fidelio, Tannhauser, Die Frau ohne Schatten, Hansel und Gretel and Die Meistersinger. He also has led productions including Der fliegende Hollaender and Parsifal with the Lyric Opera of Chicago; and he conducted the San Francisco Opera in a production of Der fliegende Hollaender. Mr. Perick also conducted the Los Angeles Music Center productions of Cosi fan tutte and Ariadne auf Naxos and the San Diego Opera’s productions of Fidelio,
Magic Flute and recently Der Rosenkavalier.

Abroad, recent new productions at Dresden include Puccini’s Il triticale, Weber’s Freischütz,
Strauss’ Die schweigsame Frau, Salome, Capriccio, Parsifal, Tristan und Isolde, and Fidelio; a ring cycle at Hannover, and concerts with the Orchestre National de France and the Orchestre National de Lyon.

Future and recent-past engagements include returns to the Cincinnati Symphony, the San Diego Symphony, the Charlotte Symphony, plus debuts at the Cincinnati Opera (Rosenkavalier), Britten’s War Requiem at the Crane School of Music, SUNY Potsdam, the Chamber Orchestra of The Jacobs School of Music at Indiana University, and with the Chautauqua Symphony. Beginning in the 2015/2016 season, Christof Perick will be a regular guest on the podium of Staatsoper Hamburg, Volksoper Wien, and the Beethoven Orchestra Bonn.