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22 Thursday / October 22, 2015

Back Roads of Brown County Studio Tour


Various Studios in Brown County
http://www.BrownCountyStudioTour.com

Visit a dozen studios, featuring the work of more than 20 artists. Meet artists, watch them work, explore the spaces that inspire them. Get a glimpse into the working lives of artists. Pottery to painting, woodworking to weaving, metal, jewelry, fiber arts, broom making, bookbinding and more.

FREE. All you need is a brochure and map, available at the Nashville Visitor Center, local businesses, or at www.BrownCountyStudioTour.com. Studios open every day in October.

22 Thursday / October 22, 2015

Cooking For One

01:00 pm to 02:00 pm
Area 10 Agency on Aging, Endwright Center Kitchen
http://www.area10agency.org

Join us for our monthly Cooking for One class. October’s class will feature Hearty Harvest Stew, both a beef and a vegetarian version. Laura Kray, Nutrition Program Manager, will demonstrate an easy and nutritious way to use up those end of season veggies and stay warm as temperatures drop.

Cooking for One is sponsored by the Area 10 Agency Nutrition Program and focuses on healthy, easy to prepare meals that can be served in small amounts or conveniently stored. Guest teachers and topic suggestions are welcome. The class is free to participants. We gratefully accept donations to help fund our free classes and programs.

22 Thursday / October 22, 2015

Positioning Eastern Cherokee Basketry

04:00 pm to 05:00 pm
Mathers Museum of World Cultures
http://www.mathers.indiana.edu

Basketry made by Cherokee artists in North Carolina has changed significantly over the last two hundred years. With the shifting availability of important plants and a growing tourist market, this practice reflects the tribe’s changing social and ecological environment while providing a way for this community to adapt to new realities. Highlighting baskets on display in the Mathers Museum exhibit, Cherokee Craft, 1973, this talk by Emily Buhrow Rogers, a Ph.D. student in the departments of Anthropology and Folklore at IU, and co-curator of the exhibit, addresses these items’ diversity and explores how they mediated new meanings. The lecture, sponsored by Fall 2015 Themester @Work: The Nature of Labor on a Changing Planet, is free and open to the public.

22 Thursday / October 22, 2015

End of Life Financial Planning

06:30 pm to 07:30 pm
Fountain Square Mall

Nobody likes thinking about it, but smart organization tactics can be a huge benefit in case of disaster or theft, and a comfort to loved ones in an unexpected health event. Young professionals especially can benefit from understanding how to take charge of newly-acquired assets. Learn how to put your accounts, benefits, and finances in order at this low-key information session and feel secure knowing that you are ahead of the planning curve. Presented by Elizabeth Ruh, Monroe County Public Library, and United Way of Monroe County.

22 Thursday / October 22, 2015

OPEN MIC CABARET

07:00 pm to 10:00 pm
Salt Creek Brewery at the Depot, 301 N. Morton St.
http://www.saltcreekbrewery.com

Stage fright or not, the weekly OPEN MIC CABARET is your chance to shine! Open to musicians, songwriters, performance artists, poets, actors, dancers, comics—you name it! Don’t be shy! Grab your 15 minutes of fame every Thursday night. Hosted by Actor/Musician/Songwriter dwBrykalski (dwBrykalski.com).

Live Music

22 Thursday / October 22, 2015

IU New Music Ensemble

08:00 pm
Auer Hall, Simon Music Center, 200 S. Jordan Avenue
http://www.music.indiana.edu/events/?e=71787

David Dzubay, director

with

Bernard Rands, guest composer

and

Andreas Foivos-Apostolou, piano
Andrew Chilcote, double bass

Additional performers to be announced

Repertoire
Berio: Call for brass quintet (1985)
Donatoni: Arpège for chamber ensemble (1986)
Donatoni: Lem II for chamber ensemble with
double bass solo (1996)
Rands: Three Pieces for piano solo (2010)
Rands: Folk Songs for female voice and
chamber ensemble (2014)

About the Director

David Dzubay was born in 1964 in Minneapolis, grew up in Portland, Oregon, and earned a D.M. in Composition at Indiana University in 1991. Additional studies included a fellowship in composition at Tanglewood (1990) and two summers as co-principal trumpet of the National Repertory Orchestra (1988, 1989). His principal teachers were Donald Erb, Frederick Fox, Eugene O’Brien, Lukas Foss, Allan Dean and Bernard Adelstein. David Dzubay’s music has been performed by orchestras, ensembles and soloists in the U.S., Europe, Canada, Mexico, and Asia. His music is published by Pro Nova Music, Dorn, and Thompson Edition and is recorded on the Sony, Bridge, Centaur, Innova, Crystal, Klavier, Gia, First Edition and Indiana University labels. Recent honors include Guggenheim Bogliasco, MacDowell, Yaddo, Copland House and Djerassi fellowships, a 2011 Arts and Letters Award from the American Academy of Arts and Letters, the 2010 Heckscher Foundation-Ithaca College Composition Prize, 2009 Kuhmo Chamber Music Festival Composition Competition, 2007 Indianapolis Chamber Orchestra Composition Competition, 2005 Utah Arts Festival Commission and the 2004 William Revelli Memorial Prize from the National Band Association. He is currently Professor of Music, Chair of the Composition Department and Director of the New Music Ensemble at the Indiana University Jacobs School of Music in Bloomington. Dzubay has conducted at the Tanglewood, Aspen, and June in Buffalo festivals. He has also conducted the League of Composers Orchestra in New York, the Pittsburgh New Music Ensemble, the Greater Dallas Youth Symphony Orchestra, Music from China, Voices of Change, and an ensemble from the Minnesota Orchestra, the Kentuckiana Brass and Percussion Ensemble and strings from the Louisville Orchestra at the Music at Maple Mount Festival. From 1995 to 1998 he served as Composer-Consultant to the Minnesota Orchestra, helping direct their “Perfect-Pitch” reading sessions, and during 2005-2006 he was Meet The Composer “Music Alive” Composer-in-Residence with the Green Bay Symphony Orchestra. In the summer of 2011, David Dzubay joined the faculty of the Brevard Music Center as composer in residence.

About the Guest Composer

Through a catalog of more than a hundred published works and many recordings, Bernard Rands is established as a major figure in contemporary music. His work Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the 1984 Pulitzer Prize in Music. His large orchestral suites Le Tambourin, won the 1986 Kennedy Center Friedheim Award. His work Canti d’Amor, recorded by Chanticleer, won a Grammy award in 2000.

Born in Sheffield, England in 1934 his 80th birthday has been marked internationally by upward of one hundred concert performances, radio and television broadcasts of his music. Rands emigrated to the United States in 1975, becoming an American citizen in 1983. He was inducted into the American Academy of Arts and Letters in 2004 and into the Illinois Lincoln Academy in 2014.

Conductors including Barenboim, Boulez, Berio, Davis, Eschenbach, Maazel, Marriner, Mehta, Muti, Ozawa, Rilling, Salonen, Sawallisch, Schiff, Schuller, Schwarz, Silverstein, Slatkin, Spano, von Dohnanyi, and Zinman, among many others, have programmed his music. Rands served as Composer in Residence with the Philadelphia Orchestra for seven years. Through this residency, Rands, working with Riccardo Muti, made a wonderful and dedicated contribution to the music of our time.

Recent commissions have come from the Suntory Concert Hall in Tokyo, the New York Philharmonic, Carnegie Hall, the Boston Symphony Orchestra, the Cincinnati Symphony, the Los Angeles Philharmonic, The Philadelphia Orchestra, the BBC Symphony Orchestra, the National Symphony Orchestra, the Internationale Bach Akademie, the Eastman Wind Ensemble, Chicago Symphony Orchestra and the Cleveland Orchestra. Many chamber works have resulted from commissions from major ensembles and festivals from around the world. His chamber opera was commissioned by the Aspen Music Festival and School for its fiftieth anniversary in 1999. His full-scale opera Vincent, with libretto by J.D. McClatchy, was commissioned by Indiana University Opera School and produced there, to critical acclaim, in 2012.

Rands’ most recent large-scale work, Concerto for Piano & Orchestra, commissioned by the Boston Symphony Orchestra to celebrate the composer’s 80th birthday, received its premiere performances in Boston in April 2014 with Jonathan Biss soloist, conducted by Robert Spano. The European premiere performances were in May 2014, in Leipzig by the Gewandhausorchester — also Biss — conducted by Sir Andrew Davis followed by a performance at the BBC Proms, London in August 2014 with the BBC Scottish Orchestra conducted by Markus Stenz.

In June, 2014, the BBC’s three-day FOCUS festival was entirely dedicated to Rands’ music with many orchestra and chamber concerts live and broadcast throughout the European Union. Since the Concerto for Piano & Orchestra, Rands has composed Folk Songs, which was commissioned by the Tanglewood Festival where it received its premiere in July, 2014.

Bridge Records released, in December 2013, a cd of fifty years of Rands’ piano music: “Bernard Rands – Piano Music 1960 – 2010,” performed by Ursula Oppens and Robert Levin.

A dedicated and passionate teacher, Rands has been guest composer at many international festivals and Composer in Residence at the Aspen and Tanglewood festivals. Rands is the Walter Bigelow Rosen Professor Emeritus Harvard. He has received honorary degrees from several American and European universities.

Rands lives in Chicago with his wife, composer Augusta Read Thomas.

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