Visit a dozen studios, featuring the work of more than 20 artists. Meet artists, watch them work, explore the spaces that inspire them. Get a glimpse into the working lives of artists. Pottery to painting, woodworking to weaving, metal, jewelry, fiber arts, broom making, bookbinding and more.

FREE. All you need is a brochure and map, available at the Nashville Visitor Center, local businesses, or at www.BrownCountyStudioTour.com. Studios open every day in October.

The Grunwald Gallery at Indiana University is pleased to announce 24/7/365 a video work by Kevin O. Mooney. This exhibition will open Friday, October 23 and continue through Wednesday, November 18, 2015. An opening reception will be held on Friday, October 23 from 6:00 pm to 8:00 pm at the Grunwald Gallery. Kevin O. Mooney will give a gallery talk about 24/7/365 on Friday, November 13 at 12 noon in the Grunwald Gallery.

365247•2012 is a time-based piece created by Kevin O. Mooney. Rooted in still photography, the work is presented as a video projection. The more than 250,000 still images, presented as a photographic stop-motion animation, allow the viewer to witness the artist’s day-to-day routines, the same activities that are experienced by many on a daily basis. When interacting with the piece, the past and future are viewed simultaneously. Ultimately, a year in the artist’s life is presented in under an hour, offering others the opportunity to vicariously participate and find meaning in mundane activities while also reexamining their own unrecognized minutes, hours and days.

Mooney states: “I have been fascinated with self-portraiture since the mid-seventies. I began photographing myself as an undergraduate student while attending Southern Illinois University in the cinema & photography program. Throughout my career as a commercial/editorial photographer, I continued to do self-portraits, often with the subjects that I photographed for a specific assignment or job, primarily as a record of who I had photographed, especially if the person was famous. I then decided to challenge myself by making a photographic self-portrait every day for an entire year. When 1997 was over I continued with the daily self-portrait, incorporating it into my daily routine, and do so to this day.”

For further information, please contact the Grunwald Gallery at (812) 855-8490 or [email protected]. We invite you to visit our website at http://www.indiana.edu/~grunwald/. The Grunwald Gallery is accessible to people with disabilities. Gallery hours are Tuesday – Saturday, noon – 4:00 pm, closed Sunday and Monday. All events are free and open to the public. For more information on the Henry Radford Hope School of Fine Arts at Indiana University, please visit www.fa.indiana.edu.

The Grunwald Gallery at Indiana University is pleased to announce The Wunderkammer: Curiosities in Indiana University Collections. This exhibition will open Friday, October 23 and continue through Wednesday, November 18. An opening reception will be held on Friday, October 23 from 6:00 pm to 8:00 pm at the Grunwald Gallery. A series of noon talks will be presented by the curators and collection managers of several special collections on Friday, October 30 and Friday, November 6 in the Grunwald Gallery.

The Wunderkammer highlights the practice of private and institutional collecting of art, artifacts, specimens, and objects through the special collections on Indiana University’s campus that are not typically seen by the average visitor. Indiana University has a number of well-known collections on public display, including the IU Art Museum and the Lilly Library. But there are other collections that are often overlooked or unknown to most visitors, such as the Department of Biology’s Herbarium, The Elizabeth Sage Costume Collection, and the University Archives, among many others.

The public museums at Indiana University are easily accessible and often feature objects from their collections that are the most well known, valuable, and historically and culturally important. However, each collection also contains items that are unusual or non-traditional, which the public rarely sees. It is in the context of the Wunderkammer that we display these items, as a cabinet of curiosities similar to the traditional collections amassed by individuals in the sixteenth century. This tradition continued well into the nineteenth century, with individuals collecting art, natural history specimens, cultural artifacts and ephemera, and there is a resurgence of interest in this today.

Special collections at IU were invited to partner with the Grunwald Gallery to select unusual or non-traditional items for the exhibit. Because of this focus, the information about how these objects came to be part of these collections is as important as the items themselves. This exhibit addresses the psychological motivations behind both institutional and private collecting, why and how special collections end up with unusual items, the stories that these unusual items have to tell, and the information and background they add that may not be obvious in more celebrated works. Some objects in the exhibit include Herman B Wells handmade underwear from the Elizabeth Sage Costume Collection; A petrified hen’s egg from 1835 trapped inside the walls of the Wylie House Museum; the original 1955 Relax-A-cizor device from the Kinsey Institute Collections; and Diana Ross’s lunchbox and gold record from the film Bustin’ Loose from the Archives of African American Music and Culture to name only a few.

Collections that will be represented are the Archives for African American Music and Culture, The Herbarium and Zoology Collections in the Department of Biology, The Black Film Center Archives, Campus Collections, the Indiana University Art Museum, the Glenn Black Laboratory, The Kinsey Institute, The Mathers Museum of World Cultures, The Elizabeth Sage Costume Collection, The University Archives and The Wylie House Museum.

This exhibit and corresponding programs were made possible by the participating institutions and the Grunwald Gallery at Indiana University.

For further information, please contact the Grunwald Gallery at (812) 855-8490 or [email protected]. We invite you to visit our website at http://www.indiana.edu/~grunwald/. The Grunwald Gallery is accessible to people with disabilities. Gallery hours are Tuesday – Saturday, noon – 4:00 pm, closed Sunday and Monday. All events are free and open to the public. For more information on the Henry Radford Hope School of Fine Arts at Indiana University, please visit www.fa.indiana.edu.

Monroe Lake’s annual Halloween event, the Ghostly Gathering, will take place at Paynetown State Recreation Area on October 23 and 24.

The event begins with a bigfoot investigation hike on Friday, October 23 at 2 p.m. Visitors can then join in a shadow puppet making session from 4:30 to 6:30 p.m. and enjoy shadow stories by the fire at 8 p.m.

On Saturday, October 24, you can make creepy, crawly crafts from 1 to 3 p.m. and compete in the all-ages costume contest at 4 p.m. Trick-or-treating takes place in the campground from 5:30 to 7:30 p.m.; at the same time, visitors can vote on their favorite entries in the campsite decorating contest. The Ghostly Gathering concludes with a Halloween party on Saturday night from 8 to 9:30 p.m.

Full details about the Ghostly Gathering are included in Monroe Lake’s October Program Schedule, which can be found at stateparks.IN.gov/2954.htm. Campsite reservations can be made at camp.IN.gov. Activities are open to both campers and day visitors.

Honky Tonk Happy Hour Fun

The Grunwald Gallery of Art at Indiana University is pleased to announce 24/7/365, a video work by Kevin O. Mooney. This exhibition will open Friday, October 23, and continue through Wednesday, November 18. An opening reception will be held from 6 p.m. to 8 p.m. on Friday, October 23, at the Grunwald Gallery. Kevin O. Mooney will give a gallery talk about 24/7/365 at noon on Friday, November 13, at the Grunwald Gallery.

365247•2012 is a time-based piece created by Kevin O. Mooney. Rooted in still photography, the work is presented as a video projection. The more than 250,000 still images, presented as a photographic stop-motion animation, allow the viewer to witness the artist’s day-to-day routines, the same activities that are experienced by many on a daily basis. When interacting with the piece, the past and future are viewed simultaneously. Ultimately, a year in the artist’s life is presented in under an hour, offering others the opportunity to vicariously participate and find meaning in mundane activities while also re-examining their own unrecognized minutes, hours, and days.

Mooney states: “I have been fascinated with self-portraiture since the mid-seventies. I began photographing myself as an undergraduate student while attending Southern Illinois University in the cinema & photography program. Throughout my career as a commercial/editorial photographer, I continued to do self-portraits, often with the subjects that I photographed for a specific assignment or job, primarily as a record of who I had photographed, especially if the person was famous. I then decided to challenge myself by making a photographic self-portrait every day for an entire year. When 1997 was over, I continued with the daily self-portrait, incorporating it into my daily routine, and do so to this day.”

For further information, please contact the Grunwald Gallery at 812-855-8490 or [email protected]. We invite you to visit our website at indiana.edu/~grunwald/. The Grunwald Gallery is accessible to people with disabilities. Gallery hours are Tuesday – Saturday, noon to 4 p.m.; closed Sunday and Monday. All events are free and open to the public. For more information on the Henry Radford Hope School of Fine Arts at Indiana University, please visit indiana.edu./~finaweb/test/cms/fina.

The Grunwald Gallery at Indiana University is pleased to announce The Wunderkammer: Curiosities in Indiana University Collections. This exhibition will open Friday, October 23 and continue through Wednesday, November 18. An opening reception will be held on Friday, October 23 from 6:00 pm to 8:00 pm at the Grunwald Gallery. A series of noon talks will be presented by the curators and collection managers of several special collections on Friday, October 30 and Friday, November 6 in the Grunwald Gallery.

The Wunderkammer highlights the practice of private and institutional collecting of art, artifacts, specimens, and objects through the special collections on Indiana University’s campus that are not typically seen by the average visitor. Indiana University has a number of well-known collections on public display, including the IU Art Museum and the Lilly Library. But there are other collections that are often overlooked or unknown to most visitors, such as the Department of Biology’s Herbarium, The Elizabeth Sage Costume Collection, and the University Archives, among many others.

The public museums at Indiana University are easily accessible and often feature objects from their collections that are the most well known, valuable, and historically and culturally important. However, each collection also contains items that are unusual or non-traditional, which the public rarely sees. It is in the context of the Wunderkammer that we display these items, as a cabinet of curiosities similar to the traditional collections amassed by individuals in the sixteenth century. This tradition continued well into the nineteenth century, with individuals collecting art, natural history specimens, cultural artifacts and ephemera, and there is a resurgence of interest in this today.

Special collections at IU were invited to partner with the Grunwald Gallery to select unusual or non-traditional items for the exhibit. Because of this focus, the information about how these objects came to be part of these collections is as important as the items themselves. This exhibit addresses the psychological motivations behind both institutional and private collecting, why and how special collections end up with unusual items, the stories that these unusual items have to tell, and the information and background they add that may not be obvious in more celebrated works. Some objects in the exhibit include Herman B Wells handmade underwear from the Elizabeth Sage Costume Collection; A petrified hen’s egg from 1835 trapped inside the walls of the Wylie House Museum; the original 1955 Relax-A-cizor device from the Kinsey Institute Collections; and Diana Ross’s lunchbox and gold record from the film Bustin’ Loose from the Archives of African American Music and Culture to name only a few.

Collections that will be represented are the Archives for African American Music and Culture, The Herbarium and Zoology Collections in the Department of Biology, The Black Film Center Archives, Campus Collections, the Indiana University Art Museum, the Glenn Black Laboratory, The Kinsey Institute, The Mathers Museum of World Cultures, The Elizabeth Sage Costume Collection, The University Archives and The Wylie House Museum.

This exhibit and corresponding programs were made possible by the participating institutions and the Grunwald Gallery at Indiana University.

For further information, please contact the Grunwald Gallery at (812) 855-8490 or [email protected]. We invite you to visit our website at http://www.indiana.edu/~grunwald/. The Grunwald Gallery is accessible to people with disabilities. Gallery hours are Tuesday – Saturday, noon – 4:00 pm, closed Sunday and Monday. All events are free and open to the public. For more information on the Henry Radford Hope School of Fine Arts at Indiana University, please visit www.fa.indiana.edu.

On Friday, October 23rd, beginning at 6:00 p.m. The Venue will host an Opening and Reception for a showing of fine, one-of-a-kind Jewelry created by Master Jewelry Maker, Tim Terry.
Tim interrupted graduate school in the mid 70’s to pursue his passion for creating one-of-a-kind jewelry and lapidary work, full-time. He marketed his work at craft shows across the county, before opening his own shop in New York State and then in Michigan for a total of almost 30 years. He relocated in Bloomington in 2003.
Tim uses precious metals and both precious and semi-precious stones to create one-of-a-kind jewelry for men and women. He employs hands-on methods that deal with the precious materials directly, using fabrication and hand-building techniques including: forging, chasing, engraving, piercing, overlay and progressive soldering. His designs are frequently inspired from nature where leaf, insect, plant, animal and birdlike designs are joined with artistic imagination and fantasy to become an artistic delight.
Refreshments will be served. You can visit the following link for free parking options near The Venue: http://bloomington.in.gov/parksmart.
Because he is constantly developing new techniques and designs, Tim will never consider himself a Master Jewelry Maker. But others do. Join us at The Venue to be delighted by and own his newest creations.

Experience one of the most gripping and important operas of the new century.

Based on Sister Helen Prejean’s book (also the source for the blockbuster film) about her experiences as a spiritual adviser to prisoners on Death Row, Dead Man Walking is a “masterpiece of words, music, and emotions.” The New York Times

It opens with the brutal murder of two teenagers by Joseph de Rocher. It ends with his execution, Sister Helen at his side. In between, a searing emotional journey. A woman of God struggles to find humanity in a brutal criminal. A murderer is forced to confront and acknowledge his heinous act. And two families—those of the murdered and of the murderer—poignantly reveal that there are many victims of an unspeakable crime.

Subscriptions available now! Visit the Musical Arts Center box office,
Monday-Friday, 11:30 am-5:30 pm, or call (812) 855-7433.

When Anne Washburn’s Mr. Burns, a post-electric play opened in New York in 2013, the New York Times raved, “… downright brilliant… [this play] has arrived to leave you dizzy with the scope and dazzle of its ideas.” Now Indiana University will bring Washburn’s startling dystopian landscape to life, directed by department chair, Jonathan R. Michaelson. In a fallen American future, a band of survivors retell Simpson’s episodes in an attempt to conjure a shared, comforting past. But as the years pass, these tales take on the symbolic power of religion.

For tickets, please contact the IU Auditorium box office:
(812) 855-1103
[email protected]