The Mathers Museum of World Cultures hosts the 7th Annual Dia de los Muertos Community Altar installation. This year’s altar will be curated by Rachel DiGregorio and Michael Redman with support from Wandering Turtle Art Gallery On-Line. Community members are invited to add gifts to the altar in honor of their deceased loved ones over the course of the exhibit (October 16 – November 4). During this Mexican holiday, it is customary to leave those who have preceded us in death small offerings of items they would have enjoyed during their lifetime; thus nurturing the memory of their lives and letting them know they have not been forgotten and remain a part of our lives today. Each year the Community Altar is built on the foundation of the previous years’ offerings.

Recurring daily during regular museum hours: Tue – Fri, 9 am – 4:30 pm; Sat – Sun 1 – 4:30 pm.

This exhibit, presented by the City of Bloomington Entertainment and Arts District (BEAD), will showcase the paintings of Wyatt LeGrand in the Showers Atrium of City Hall. It is free and open to the public during regular hours (9am – 5pm, Monday through Friday). Runs until October 31.

This exhibit at the Mathers Museum of World Cultures is a companion piece to the book by Eric Sandweiss, and presents a survey of Cushman’s extraordinary work, an archive of photographs that is the largest known body of early color photographs by a single photographer—14,500 in all, most shot on vivid, color-saturated Kodachrome stock. It will run until December 21.

Mathers Museum hours are:
Tuesday-Friday: 9 am-4:30 pm
Saturday-Sunday: 1-4:30 pm

October brings four new exhibits to the Ivy Tech John Waldron Arts Center. All exhibits are available for viewing during regular gallery hours (Mon-Fri 9 am-7 pm, Sat 9 am-5 pm).

Contemporary fabric artist Sandy Hill splashes the walls with jewel-toned swirls and flourishes. Her freestyle forms employ silky-sheen fabrics and light-catching metallic threads, making a joyous quilting tour-de-force that celebrates the colors of the rainbow.

Tom Rhea takes us on a painterly tour of Bloomington’s best-loved landmarks, both town and gown. An eye for detail, a heartfelt connection with his subject matter , and an uncanny ability to render light on limestone make Rhea’s watercolors a delight for locals and visitors.

Sculptor (and writer) James Alexander Thom hand-carves fallen trees to reveal their spirits as sinuous, self-referencing, and graceful.

Fascinated by pattern and the negative space between objects, Ellen Starr Lyon says her current work is about “lushness of the commonplace.” A conservator at the IU Art Museum, Lyon is especially drawn to elements of Asian art, which are often found in her still-lifes.

When your toddler or preschool child hits the turf field at the Twin Lakes Recreation Center, they will be ready to run and play! An indoor turf field provides you and your young child with ample space to run, play on an obstacle course, and practice ball throwing and kicking skills. This free-time play is parent supervised while the TLRC provides all the equipment for an hour of healthy physical play. Check the monthly calendar for special Turf Time days with the bounce house and specially scheduled games. For children ages 1 – 6 yrs. w/parent. Every Monday and Wednesday.

This installation, running from September 11 to December 31, will focus on three photographers Julia Margaret Cameron, Edward Weston, and Harry Callahan, who used their romantic partners as their subjects. Whether portraits or nude studies, these images reveal a sensitivity that comes from the artists and sitters’ close personal relationships.

This installation is presented in conjunction it the special exhibition “A Place Aside: Artists and their Partners,” on view at the Kinsey Institute Gallery, September 28–December 20.

7 Bloomington maiolica artists are showing work at the Farmer House Museum from Oct. 5 to Dec. 6, 2012. They are leExposition Universelle. Susan Snyder, who learned the tradition and art of maiolica in Faenza, Italy from traditional artisans, and began to share her knowledge with ceramic artists in Bloomington upon her return, by way of England, in the 1990s. “Majolica”, spelled with a “j”, is the word for a 19 century English and French style, that has little to do with the Italian style, except for the use of metal-based glazes. Snyder practices and teaches the original craft of maiolica, which began in Italy in the 1400s. It is a folk style, in which linear designs are painted in bright colors on plates, bowls and other vessels.

Hours are 10 am -1 pm Wednesday-Friday, 10 am – 4 pm Saturday, 10 am – 2 pm Sunday

Seven Bloomington maiolica artists are showing work at the Farmer House Museum from Oct. 5 to Dec. 6, 2012. They are leExposition Universelle. Susan Snyder, who learned the tradition and art of maiolica in Faenza, Italy from traditional artisans, and began to share her knowledge with ceramic artists in Bloomington upon her return, by way of England, in the 1990s. “Majolica”, spelled with a “j”, is the word for a 19 century English and French style, that has little to do with the Italian style, except for the use of metal-based glazes. Snyder practices and teaches the original craft of maiolica, which began in Italy in the 1400s. It is a folk style, in which linear designs are painted in bright colors on plates, bowls and other vessels.

Hours are 10 am -1 pm Wednesday-Friday, 10 am – 4 pm Saturday, 10 am – 2 pm Sunday

Artists working in Paris and Lorraine during the Baroque period developed distinctive styles—which focused on the vibrancy of the line—that differed markedly from their Italian and Dutch contemporaries. The two print kiosks in the early part of the gallery feature French works by Jacques Bellange, Claude Lorrain, Jacques Callot, and Claude Mellan, whose engraving is a tour de force of printmaking that creates the face of Christ using a single line.

Gallery of the Art of the Western World, Doris Steinmetz Kellett Gallery of Twentieth-Century Art, first floor. The British Pop artist Joe Tilson used tabloid journalism and news photography as the basis for many of his prints and multiples of the late 1960s. Becoming increasingly political, he saw the pictures of revolutionary leaders and current events as a means for social commentary. This installation will include several of his works from this turbulent period.

Runs until December 30. Open during regular museum hours (Tuesday – Saturday, 10 am – 5 pm, Sunday 12 pm – 5 pm.)