Visit a dozen studios, featuring the work of more than 20 artists. Meet artists, watch them work, explore the spaces that inspire them. Get a glimpse into the working lives of artists. Pottery to painting, woodworking to weaving, metal, jewelry, fiber arts, broom making, bookbinding and more.

FREE. All you need is a brochure and map, available at the Nashville Visitor Center, local businesses, or at www.BrownCountyStudioTour.com. Studios open every day in October.

Bloomington, IN – The Grunwald Gallery at Indiana University is pleased to announce The Wunderkammer: Curiosities in Indiana University Collections. This exhibition will open Friday, October 23 and continue through Wednesday, November 18. An opening reception will be held on Friday, October 23 from 6:00 pm to 8:00 pm at the Grunwald Gallery. A series of noon talks will be presented by the curators and collection managers of several special collections on Friday, October 30 and Friday, November 6 in the Grunwald Gallery.

The Wunderkammer highlights the practice of private and institutional collecting of art, artifacts, specimens, and objects through the special collections on Indiana University’s campus that are not typically seen by the average visitor. Indiana University has a number of well-known collections on public display, including the IU Art Museum and the Lilly Library. But there are other collections that are often overlooked or unknown to most visitors, such as the Department of Biology’s Herbarium, The Elizabeth Sage Costume Collection, and the University Archives, among many others.

The public museums at Indiana University are easily accessible and often feature objects from their collections that are the most well known, valuable, and historically and culturally important. However, each collection also contains items that are unusual or non-traditional, which the public rarely sees. It is in the context of the Wunderkammer that we display these items, as a cabinet of curiosities similar to the traditional collections amassed by individuals in the sixteenth century. This tradition continued well into the nineteenth century, with individuals collecting art, natural history specimens, cultural artifacts and ephemera, and there is a resurgence of interest in this today.

Special collections at IU were invited to partner with the Grunwald Gallery to select unusual or non-traditional items for the exhibit. Because of this focus, the information about how these objects came to be part of these collections is as important as the items themselves. This exhibit addresses the psychological motivations behind both institutional and private collecting, why and how special collections end up with unusual items, the stories that these unusual items have to tell, and the information and background they add that may not be obvious in more celebrated works. Some objects in the exhibit include Herman B Wells handmade underwear from the Elizabeth Sage Costume Collection; A petrified hen’s egg from 1835 trapped inside the walls of the Wylie House Museum; the original 1955 Relax-A-cizor device from the Kinsey Institute Collections; and Diana Ross’s lunchbox and gold record from the film Bustin’ Loose from the Archives of African American Music and Culture to name only a few.

Collections that will be represented are the Archives for African American Music and Culture, The Herbarium and Zoology Collections in the Department of Biology, The Black Film Center Archives, Campus Collections, the Indiana University Art Museum, the Glenn Black Laboratory, The Kinsey Institute, The Mathers Museum of World Cultures, The Elizabeth Sage Costume Collection, The University Archives and The Wylie House Museum.

This exhibit and corresponding programs were made possible by the participating institutions and the Grunwald Gallery at Indiana University.

For further information, please contact the Grunwald Gallery at (812) 855-8490 or [email protected]. We invite you to visit our website at http://www.indiana.edu/~grunwald/. The Grunwald Gallery is accessible to people with disabilities. Gallery hours are Tuesday – Saturday, noon – 4:00 pm, closed Sunday and Monday. All events are free and open to the public. For more information on the Henry Radford Hope School of Fine Arts at Indiana University, please visit www.fa.indiana.edu.

The Grunwald Gallery at Indiana University is pleased to announce 24/7/365 a video work by Kevin O. Mooney. This exhibition will open Friday, October 23 and continue through Wednesday, November 18, 2015. An opening reception will be held on Friday, October 23 from 6:00 pm to 8:00 pm at the Grunwald Gallery. Kevin O. Mooney will give a gallery talk about 24/7/365 on Friday, November 13 at 12 noon in the Grunwald Gallery.

365247•2012 is a time-based piece created by Kevin O. Mooney. Rooted in still photography, the work is presented as a video projection. The more than 250,000 still images, presented as a photographic stop-motion animation, allow the viewer to witness the artist’s day-to-day routines, the same activities that are experienced by many on a daily basis. When interacting with the piece, the past and future are viewed simultaneously. Ultimately, a year in the artist’s life is presented in under an hour, offering others the opportunity to vicariously participate and find meaning in mundane activities while also reexamining their own unrecognized minutes, hours and days.

Mooney states: “I have been fascinated with self-portraiture since the mid-seventies. I began photographing myself as an undergraduate student while attending Southern Illinois University in the cinema & photography program. Throughout my career as a commercial/editorial photographer, I continued to do self-portraits, often with the subjects that I photographed for a specific assignment or job, primarily as a record of who I had photographed, especially if the person was famous. I then decided to challenge myself by making a photographic self-portrait every day for an entire year. When 1997 was over I continued with the daily self-portrait, incorporating it into my daily routine, and do so to this day.”

For further information, please contact the Grunwald Gallery at (812) 855-8490 or [email protected]. We invite you to visit our website at http://www.indiana.edu/~grunwald/. The Grunwald Gallery is accessible to people with disabilities. Gallery hours are Tuesday – Saturday, noon – 4:00 pm, closed Sunday and Monday. All events are free and open to the public. For more information on the Henry Radford Hope School of Fine Arts at Indiana University, please visit www.fa.indiana.edu.

The Grunwald Gallery at Indiana University is pleased to announce The Wunderkammer: Curiosities in Indiana University Collections. This exhibition will open Friday, October 23 and continue through Wednesday, November 18. An opening reception will be held on Friday, October 23 from 6:00 pm to 8:00 pm at the Grunwald Gallery. A series of noon talks will be presented by the curators and collection managers of several special collections on Friday, October 30 and Friday, November 6 in the Grunwald Gallery.

The Wunderkammer highlights the practice of private and institutional collecting of art, artifacts, specimens, and objects through the special collections on Indiana University’s campus that are not typically seen by the average visitor. Indiana University has a number of well-known collections on public display, including the IU Art Museum and the Lilly Library. But there are other collections that are often overlooked or unknown to most visitors, such as the Department of Biology’s Herbarium, The Elizabeth Sage Costume Collection, and the University Archives, among many others.

The public museums at Indiana University are easily accessible and often feature objects from their collections that are the most well known, valuable, and historically and culturally important. However, each collection also contains items that are unusual or non-traditional, which the public rarely sees. It is in the context of the Wunderkammer that we display these items, as a cabinet of curiosities similar to the traditional collections amassed by individuals in the sixteenth century. This tradition continued well into the nineteenth century, with individuals collecting art, natural history specimens, cultural artifacts and ephemera, and there is a resurgence of interest in this today.

Special collections at IU were invited to partner with the Grunwald Gallery to select unusual or non-traditional items for the exhibit. Because of this focus, the information about how these objects came to be part of these collections is as important as the items themselves. This exhibit addresses the psychological motivations behind both institutional and private collecting, why and how special collections end up with unusual items, the stories that these unusual items have to tell, and the information and background they add that may not be obvious in more celebrated works. Some objects in the exhibit include Herman B Wells handmade underwear from the Elizabeth Sage Costume Collection; A petrified hen’s egg from 1835 trapped inside the walls of the Wylie House Museum; the original 1955 Relax-A-cizor device from the Kinsey Institute Collections; and Diana Ross’s lunchbox and gold record from the film Bustin’ Loose from the Archives of African American Music and Culture to name only a few.

Collections that will be represented are the Archives for African American Music and Culture, The Herbarium and Zoology Collections in the Department of Biology, The Black Film Center Archives, Campus Collections, the Indiana University Art Museum, the Glenn Black Laboratory, The Kinsey Institute, The Mathers Museum of World Cultures, The Elizabeth Sage Costume Collection, The University Archives and The Wylie House Museum.

This exhibit and corresponding programs were made possible by the participating institutions and the Grunwald Gallery at Indiana University.

For further information, please contact the Grunwald Gallery at (812) 855-8490 or [email protected]. We invite you to visit our website at http://www.indiana.edu/~grunwald/. The Grunwald Gallery is accessible to people with disabilities. Gallery hours are Tuesday – Saturday, noon – 4:00 pm, closed Sunday and Monday. All events are free and open to the public. For more information on the Henry Radford Hope School of Fine Arts at Indiana University, please visit www.fa.indiana.edu.

Enjoy live music from around the world followed by a complimentary lunch. The Noon Concert Series is brought to you through a partnership with the Office of International Services.

Wylie House is pleased to welcome internationally renowned textile specialist and art historian Dr. Joan Hart. Specializing in Kashmir and paisley shawls, Dr. Hart’s expertise has aided in advising museums and collectors in the US and abroad in regards to their textile collections. Topics of discussion for the October 30 lecture will include artifacts such as 19th-century shawls from both the Wylie House Museum and Dr. Hart’s personal collection.

The Studio Art Department at Indiana University’s Henry Radford Hope School of Fine Arts is pleased to open its doors to students, families, artists, and visitors for the annual Open Studios event on Friday, October 30, 2015 from 6pm to 10pm. Students interested in the BA, BFA or MFA programs can explore artists’ studio practices, and everyone can try their hand at various art-making activities and view student artwork in multiple studio locations. Attendees should plan to start in the Fine Arts Building, where maps and directions will be available in the Friends of Art Bookshop. Visitor parking is available in the GIS/Wells Library parking lot. This event is free and open to the public and will allow the greater Indiana University and Bloomington communities the opportunity to see the talents of students studying in the School of Fine Arts.

On Friday, October 30, beginning at 6 p.m., The Venue will host a reception for the final week of a feature showing of fine, one-of-a-kind jewelry created by Master Jewelry Maker, Tim Terry, and Paintings by Wyatt LeGrand.
If you missed his demonstration last Tuesday eve at The Venue, watching him work his magic was quite a treat. Tim uses precious metals and both precious and semi-precious stones to create one-of-a-kind jewelry for men and women. He employs hands-on methods that deal with the precious materials directly, using fabrication and hand-building techniques including: forging, chasing, engraving, piercing, overlay, and progressive soldering. His designs are frequently inspired from nature where leaf, insect, plant, animal, and birdlike designs are joined with artistic imagination and fantasy to become an artistic delight.
On Friday, The Venue will also feature the final week of paintings by Wyatt LeGrand. Wyatt has created and selected paintings for his life partner and wife, Brittany. Thus inspired, they are intimate and dynamic, but also supported by a complex of emotions and expressions that create depth and significance. This show is a major step toward Wyatt’s ascent from Indiana art treasure to Art Treasure.
Refreshments will be served. You can visit the following link for free parking options near The Venue: bloomington.in.gov/parksmart.
These shows will run at The Venue until November 5. Join us.

Dress up in your finest threads and don a mysterious mask for the first-ever Masquerade Ball! This exquisite event will be held at Oliver Winery, starting at 7 p.m. on the evening of October 30, 2015.
Tickets are $50 per person and all proceeds support Bloomington PRIDE’s mission to celebrate queer arts, create safe and inclusive spaces, and challenge stereotypes to enrich LGBTQA community and culture.

For more information, visit bloomingtonpride.org.

Critically acclaimed songwriter and performer Justin Townes Earle will top the bill for this year’s Amethyst House Benefit Concert to be held October 30, 2015, at the Buskirk-Chumley Theater in Bloomington, Indiana. Earle is the winner of the Americana Music Association’s 2011 Song of the Year for Harlem River Blues. His recently released companion albums, Single Mothers and Absent Fathers, perfectly showcase exactly why Justin Townes Earle is considered a forefather of Contemporary Americana. “We’re pleased to have another very talented artist, who is also in recovery, for our Benefit Concert this year,” says Amethyst House Board President Mike Long. “He’s a great talent and a great fit for Amethyst.”